Song: How We Roll
Year: 1998
Album: Can-I-Bus
In 1997 and 1998, Canibus was on top of the game. He was the most sought after guest lyricist on songs. This is my favourite track off his first album because of the lyrics, the well constructed beat and Panama P.I. makes an appearance!
Artist: Tracey Lee
Song: Keep Your Hands High
Year: 1997
Album: Many Facez
This song is notable for several reasons: First of all, the beat was well made. Secondly, Tracey Lee is connected with The Reepz (one of my favourite obscure crews). Finally, The Notorious B.I.G. makes an appearance here.
Artist: Jay-Z
Song: What More Can I Say
Year: 2003
Album: The Black Album
This is my favourite track off The Black Album because of the beat.
Artist: AG (Andre The Giant. A.G.)
Song: Muddslide
Year: 1999
Album: The Dirty Version
Andre the Giant only used the sample as a way to change things up, but I like when A.G. rhymes on strings and bass.
Artist: MFSB
Song: Something For Nothing
Year: 1973
Album: MFSB
Something FROM Nothing is how I think of Hip Hop. Something FOR Nothing could also describe Hip Hop. MFSB stands for Mother Father Sister Brother. Long before any of these songs, someone from Toronto looped up this song and rhymed over the sample for what seemed like 10 minutes. Don't know who, but Toronto brought this to me first.
The first Canibus sample are the two notes that start at 0:30. These appear at the beginning of each bar. The next sample is an impressive chopping job using notes from 0:30 to 0:32 to create a two-bar loop that appears throughout the song. With the changing speeds, this is a great production.
Tracey Lee's intro and occasional change is the sample from 0:27 broken up to cover the timespan of 2 bars. During the verse, there is a two-bar loop made up of the sample from 0:30 repeated several times over the course of 6 beats. The final 2 beats are either from 0:29 or 0:38, both are used at different points. Both this and Canibus are great examples of using very little sample to create great songs.
Jay-Z used a more loop-based approach. The song starts with the 2-bar loop from 0:27. The next sample used is the two-bar loop from 0:39. The first chorus uses the two-bar loop from 1:50 with some horn samples.
A.G. used the sample from 0:27 sparsely in his song.
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